D'Agostino has served as Visiting Curator, Visiting Critic, or Visiting Artist for many institutions and organizations, including The Jewish Museum, the MFA Program at Queens College, the Integrated Design Program at Parsons The New School, The New York Studio School, Residency Unlimited, NARS Foundation, AHL Foundation, The Fine Arts Department of Western Michigan University, The Pennsylvania Academy of Fine Arts, and SUNY Purchase MFA Program.

D'Agostino writes in and translates among a number of languages, primarily Italian, German, French, Spanish and English, and he does some translation work in several other languages as well. He is former Art Editor at Brooklyn Magazine and The L Magazine, and he is co-founder of ART(inter) and After Vasari. He is also Assistant Editor of Journal of Italian Translation, and he contributes critical writings on art, film and books to various publications, including Hyperallergic and Art Spiel. He has also been a contributing translator and translation reviewer for Specimen: The Babel Review of Translations. His academic writings and translations have appeared in numerous scholarly publications in the United States and abroad, and his poetry and prose have been published in several literary magazines.

D'Agostino's artwork has been featured in a number of solo, two-person and group shows. He has had solo exhibitions at Silas Von Morisse Gallery, Life on Mars, Weathervane, Pocket Utopia and Norte Maar, and two-person shows at Lodge Gallery and Slag Gallery. His artwork has been reviewed by Roberta Smith for The New York Times, and his artwork and curatorial activities have been written about in ARTNews, Art Review, The New York Times, Vice, Whitehot, The Huffington Post, Paper Magazine, The New Criterion, Two Coats of Paint, Hyperallergic, ArtFCity, Gothamist, Rough Cuts, La Voce di New York, The Conversation Project and The Brooklyn Rail, among others. He was also the featured artist in a "Critic's Pick" article in the February 2014 issue of ARTNews. His artwork is held in numerous collections, including that of New York Presbyterian Hospital.

In the summer and fall of 2014, D'Agostino collaborated with Stephanie Theodore, of Theodore:Art, and with Karl England, Charlie Levine and Ben Street, of London-based Sluice_, to develop and produce a transportable art exposition platform called Exchange Rates. Its first iteration was Exchange Rates: The Bushwick International Expo, in October 2014. The second edition, Exchange Rates II, took place in October 2016. Information here.

See D'Agostino's art résumé and academic CV here for more details on much of the above. Links to press about his artwork and curatorial activities are here.

Paul D'Agostino on Wikipedia.

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